Andrew Gilligan is something of a case study in how journalism works.
Gilligan's reporting on the Blair government's manipulation of UK public opinion in the run up to the current Iraq war initiated the events that lead to the tragic death of Dr David Kelly and the Hutton report - a moment of humiliation for the BBC. The furore resulted in Gilligan's resignation from the BBC and the first media institution to offer him a job after that was The Spectator, then edited by Boris Johnson.
Gilligan then went to work for the Evening Standard were he has lead the right wing media charge against Ken Livingstone and the Labour Government more generally. The Standard is a part of the Mail & General Trust Group along with the Mail titles, Metro and The London Paper and the whole group has a ferocious right wing reputation - especially the Daily Mail.
Gilligan who was forced out of the BBC by a Labour Government found a saviour in Boris Johnson and then went to work for the most right wing media group in the UK. This conjunction of events certainly stood Boris Johnson in good stead during the recent mayoral elections. Not least because the more racist side of Boris' public persona was somewhat swept under the carpet even though even Johnson himself finally twigged his comments were a bit dodgy.
Wesley Rykalski's teaching blog of readings of media texts and guidance on media theories and concepts.
Showing posts with label London Mayoral Election 20008. Show all posts
Showing posts with label London Mayoral Election 20008. Show all posts
Wednesday, 7 May 2008
Wednesday, 26 March 2008
Stop Boris! It almost goes without saying
He can't keep his hair out of his eyes.
He can't keep his foot out of his mouth.
He can't keep his **** out of other women.
Just the person to be left in charge of a city as large, powerful, complicated and problematic as London!
This post might not seem to have much to do with reading the media but then hegemony (see the work of Gramsci and Stuart Hall for instance) would be a useful thing to start thinking about Boris with. As would any feminist perspective you could think of (Judith Butler's perhaps).
The approach that most interests me, however, is to consider Boris' participation in our culture of celebrity and what Baudrillard's theories of simulacra & of hyper-reality might tell us about this participation. For Baudrillard simulation - copying - was the key aspect of modern existence because nothing was real and everything was in fact a copy of that which had once been real. The result of this dominance of simulation was the coming into existence of simulacra; simulations that had utterly replaced their now distant and dim originals. Which in turn left us with no access to 'the real' whatsoever. Rather all we can know is the hyper-real; that mediated world of simulacra we can experience through the ubiquitous communication media of our time.
The explosion of the realm of celebrity in our current socio-media world is the perfect example of this. Once celebrity emerged from something else (beauty, notoriety, ability, luck, fortune, etc) and was a property of people. Now celebrity can be manufactured, allocated, and consumed - it is simulated from past models - and has replaced people possessing a particular property with simulacra infused with the simulation of celebrity during the manufacturing process. Celebrities are of course hyper-real as we only know them as media constructs and because of their ubiquity we really do know them. Consider the simularca called 'Jordan' and its counterpart 'Katie Price' and how hyper-real they both are.
Boris then is a simulacra in that he is a simulation of so many duffers and cads from 1950's British cinema (alchemically combined) and our understanding of him is hyper-real in that we know him through the media and only through the media. It may be time to take the red pill, or any other colour, rather than the blue.
He can't keep his foot out of his mouth.
He can't keep his **** out of other women.
Just the person to be left in charge of a city as large, powerful, complicated and problematic as London!
This post might not seem to have much to do with reading the media but then hegemony (see the work of Gramsci and Stuart Hall for instance) would be a useful thing to start thinking about Boris with. As would any feminist perspective you could think of (Judith Butler's perhaps).
The approach that most interests me, however, is to consider Boris' participation in our culture of celebrity and what Baudrillard's theories of simulacra & of hyper-reality might tell us about this participation. For Baudrillard simulation - copying - was the key aspect of modern existence because nothing was real and everything was in fact a copy of that which had once been real. The result of this dominance of simulation was the coming into existence of simulacra; simulations that had utterly replaced their now distant and dim originals. Which in turn left us with no access to 'the real' whatsoever. Rather all we can know is the hyper-real; that mediated world of simulacra we can experience through the ubiquitous communication media of our time.
The explosion of the realm of celebrity in our current socio-media world is the perfect example of this. Once celebrity emerged from something else (beauty, notoriety, ability, luck, fortune, etc) and was a property of people. Now celebrity can be manufactured, allocated, and consumed - it is simulated from past models - and has replaced people possessing a particular property with simulacra infused with the simulation of celebrity during the manufacturing process. Celebrities are of course hyper-real as we only know them as media constructs and because of their ubiquity we really do know them. Consider the simularca called 'Jordan' and its counterpart 'Katie Price' and how hyper-real they both are.
Boris then is a simulacra in that he is a simulation of so many duffers and cads from 1950's British cinema (alchemically combined) and our understanding of him is hyper-real in that we know him through the media and only through the media. It may be time to take the red pill, or any other colour, rather than the blue.
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